Books by Miller, Ron

Miller, Ron and Fredrick C. Durant III. The Art of Chesley Bonestell. London: Paper Tiger, 2001. ISBN 978-1-85585-884-8.
If you're interested in astronomy and space, you're almost certainly familiar with the space art of Chesley Bonestell, who essentially created the genre of realistic depictions of extraterrestrial scenes. But did you know that Bonestell also:

  • Was a licensed architect in the State of California, who contributed to the design of a number of buildings erected in Northern California in the aftermath of the 1906 earthquake?
  • Chose the site for the 1915 Panama-Pacific International Exposition (of which the San Francisco Palace of Fine Arts remains today)?
  • Laid out the Seventeen Mile Drive in Pebble Beach on the Monterey Peninsula?
  • Did detailed design of the ornamentation of the towers of the Golden Gate Bridge, and illustrated pamphlets explaining the engineering of the bridge?
  • Worked for years in Hollywood doing matte paintings for films including Citizen Kane?
  • Not only did the matte paintings, but designed the buildings of Howard Roark for the film version of The Fountainhead?
  • Painted the Spanish missions of California as they would have appeared in their heyday?

Although Bonestell always considered himself an illustrator, not an artist, and for much of his career took no particular care to preserve the originals of his work, here was a polymath with a paintbrush who brought genius as well as precision to every subject he rendered. He was, like his collaborator on Destination Moon, Robert A. Heinlein (the two admired each other's talents, but Bonestell thought Heinlein somewhat of a nut in his political views; their relationship got off to a rocky start when Bonestell visited Heinlein's self-designed dream house and pronounced his architectural judgement that it looked like a gas station), a businessman first—he would take the job that paid best and quickest, and produced a large volume of commercial art to order, all with the attention to detail of his more artistically ambitious creations.

While Bonestell was modest about his artistic pretensions, he had no shortage of self-esteem: in 1974 he painted a proposed redesign of the facade of St. Peter's Basilica better in keeping with his interpretation of Michelangelo's original intent and arranged to have it sent to the Pope who responded, in essence, “Thanks, but no thanks”.

This resplendent large-format coffee table book tells the story of Bonestell's long and extraordinarily creative career in both text and hundreds of full-colour illustrations of his work. To open this book to almost any page is to see worlds unknown at the time, rendered through the eye of an artist whose mind transported him there and sparked the dream of exploration in the generations which expanded the human presence and quest to explore beyond the home planet.

This book is out of print and used copies command a frightful premium; I bought this book when it was for sale at the cover price and didn't get around to reading all the text for seven years, hence its tardy appearance here.

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