Manto, Cindy Donze. Michoud Assembly Facility. Charleston, SC: Arcadia Publishing, 2014. ISBN 978-1-5316-6969-0.
In March, 1763, King Louis XV of France made a land grant of 140 square kilometres to Gilbert Antoine St Maxent, the richest man in Louisiana Territory and commander of the militia. The grant required St Maxent to build a road across the swampy property, develop a plantation, and reserve all the trees in forested areas for the use of the French navy. When the Spanish took over the territory five years later, St Maxent changed his first names to “Gilberto Antonio” and retained title to the sprawling estate. In the decades that followed, the property changed hands and nations several times, eventually, now part of the United States, being purchased by another French immigrant, Antoine Michoud, who had left France after the fall of Napoleon, who his father had served as an official.

Michoud rapidly established himself as a prosperous businessman in bustling New Orleans, and after purchasing the large tract of land set about buying pieces which had been sold off by previous owners, re-assembling most of the original French land grant into one of the largest private land holdings in the United States. The property was mostly used as a sugar plantation, although territory and rights were ceded over the years for construction of a lighthouse, railroads, and telegraph and telephone lines. Much of the land remained undeveloped, and like other parts of southern Louisiana was a swamp or, as they now say, “wetlands”.

The land remained in the Michoud family until 1910, when it was sold in its entirety for US$410,000 in cash (around US$11 million today) to a developer who promptly defaulted, leading to another series of changes of ownership and dodgy plans for the land, which most people continued to refer to as the Michoud Tract. At the start of World War II, the U.S. government bought a large parcel, initially intended for construction of Liberty ships. Those plans quickly fell through, but eventually a huge plant was erected on the site which, starting in 1943, began to manufacture components for cargo aircraft, lifeboats, and components which were used in the Manhattan Project's isotope separation plants in Oak Ridge, Tennessee.

At the end of the war, the plant was declared surplus but, a few years later, with the outbreak of the Korean War, it was re-purposed to manufacture engines for Army tanks. It continued in that role until 1954 when it was placed on standby and, in 1958, once again declared surplus. There things stood until mid-1961 when NASA, charged by the new Kennedy administration to “put a man on the Moon” was faced with the need to build rockets in sizes and quantities never before imagined, and to do so on a tight schedule, racing against the Soviet Union.

In June, 1961, Wernher von Braun, director of the NASA Marshall Space Flight Center in Huntsville, Alabama, responsible for designing and building those giant boosters, visited the then-idle Michoud Ordnance Plant and declared it ideal for NASA's requirements. It had 43 acres (17 hectares) under one roof, the air conditioning required for precision work in the Louisiana climate, and was ready to occupy. Most critically, it was located adjacent to navigable waters which would allow the enormous rocket stages, far too big to be shipped by road, rail, or air, to be transported on barges to and from Huntsville for testing and Cape Canaveral in Florida to be launched.

In September 1961 NASA officially took over the facility, renaming it “Michoud Operations”, to be managed by NASA Marshall as the manufacturing site for the rockets they designed. Work quickly got underway to set up manufacturing of the first stage of the Saturn I and 1B rockets and prepare to build the much larger first stage of the Saturn V Moon rocket. Before long, new buildings dedicated to assembly and test of the new rockets, occupied both by NASA and its contractors, began to spring up around the original plant. In 1965, the installation was renamed the Michoud Assembly Facility, which name it bears to this day.

With the end of the Apollo program, it looked like Michoud might once again be headed for white elephant status, but the design selected for the Space Shuttle included a very large External Tank comparable in size to the first stage of the Saturn V which would be discarded on every flight. Michoud's fabrication and assembly facilities, and its access to shipping by barge were ideal for this component of the Shuttle, and a total of 135 tanks built at Michoud were launched on Shuttle missions between 1981 and 2011.

The retirement of the Space Shuttle once again put the future of Michoud in doubt. It was originally tapped to build the core stage of the Constellation program's Ares V booster, which was similar in size and construction to the Shuttle External Tank. The cancellation of Constellation in 2010 brought that to a halt, but then Congress and NASA rode to the rescue with the absurd-as-a-rocket but excellent-as-a-jobs-program Space Launch System (SLS), whose centre core stage also resembles the External Tank and Ares V. SLS first stage fabrication is presently underway at Michoud. Perhaps when the schedule-slipping, bugget-busting SLS is retired after a few flights (if, in fact, it ever flies at all), bringing to a close the era of giant taxpayer-funded throwaway rockets, the Michoud facility can be repurposed to more productive endeavours.

This book is largely a history of Michoud in photos and captions, with text introducing chapters on each phase of the facility's history. All of the photos are in black and white, and are well-reproduced. In the Kindle edition many can be expanded to show more detail. There are a number of copy-editing and factual errors in the text and captions, but not too many to distract or mislead the reader. The unidentified “visitors” shown touring the Michoud facility in July 1967 (chapter 3, Kindle location 392) are actually the Apollo 7 crew, Walter Schirra, Donn Eisele, and Walter Cunningham, who would fly on a Michoud-built Saturn 1B in October 1968.

For a book of just 130 pages, most of which are black and white photographs, the hardcover is hideously expensive (US$29 at this writing). The Kindle edition is still pricey (US$13 list price), but may be read for free by Kindle Unlimited subscribers.

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