August 2016

Jenne, Mike. Blue Darker than Black. New York: Yucca Publishing, 2016. ISBN 978-1-63158-066-6.
This is the second novel in the series which began with Blue Gemini (April 2016). It continues the story of a covert U.S. Air Force manned space program in the late 1960s and early 1970s, using modified versions of NASA's two-man Gemini spacecraft and Titan II booster to secretly launch missions to rendezvous with, inspect, and, if necessary, destroy Soviet reconnaissance satellites and rumoured nuclear-armed orbital battle stations.

As the story begins in 1969, the crew who flew the first successful missions in the previous novel, Drew Carson and Scott Ourecky, are still the backbone of the program. Another crew was in training, but having difficulty coming up to the standard set by the proven flight crew. A time-critical mission puts Carson and Ourecky back into the capsule again, and they execute another flawless mission despite inter-service conflict between its Navy sponsor and the Air Force who executed it.

Meanwhile, the intrigue of the previous novel is playing out in the background. The Soviets know that something odd is going on at the innocuously named “Aerospace Support Project” at Wright-Patterson Air Force Base, and are cultivating sources to penetrate the project, while counter-intelligence is running down leads to try to thwart them. Soviet plans for the orbital battle station progress from fantastic conceptions to bending metal.

Another mission sends the crew back into space just as Ourecky's wife is expecting their firstborn. When it's time to come home, a malfunction puts at risk their chances of returning to Earth alive. A clever trick allows them to work around the difficulty and fire their retrorockets, but the delay diverts their landing point from the intended field in the U.S. to a secret contingency site in Haiti. Now the emergency landing team we met in Blue Gemini comes to the fore. With one of the most secret of U.S. programs dropping its spacecraft and crew, who are privy to all of its secrets, into one of the most primitive, corrupt, and authoritarian countries in the Western Hemisphere, the stakes could not be higher. It all falls on the shoulders of Matthew Henson, who has to coordinate resources to get the spacecraft and injured crew out, evading voodoo priests, the Tonton Macoutes, and the Haitian military. Henson is nothing if not resourceful, and Carson and Ourecky, the latter barely alive, make it back to their home base.

Meanwhile, work on the Soviet battle station progresses. High-stakes spycraft inside the USSR provides a clouded window on the program. Carson and Ourecky, once he recovers sufficiently, are sent on a “dog and pony show” to pitch their program at the top secret level to Air Force base commanders around the country. Finally, they return to flight status and continue to fly missions against Soviet assets.

But Blue Gemini is not the only above top secret manned space program in the U.S. The Navy is in the game too, and when a solar flare erupts, their program, crew, and potentially anybody living under the ground track of the orbiting nuclear reactor is at risk. Once more, Blue Gemini must launch, this time with a tropical storm closing in on the launch site. It's all about improvisation, and Ourecky, once the multiple-time reject for Air Force flight school, proves himself a master of it. He returns to Earth a hero (in secret), only to find himself confronted with an even greater challenge.

This novel, as the second in what is expected to be a trilogy, suffers from the problem of developing numerous characters and subplots without ever resolving them which afflicts so many novels in the middle. Notwithstanding that, it works as a thriller, and it's interesting to see characters we met before in isolation begin to encounter one another. Blue Gemini was almost flawless in its technical detail. There are more goofs here, some pretty basic (for example, the latitude of Dallas, Texas is given incorrectly), and one which substantially affects the plot (the effect of solar flares on the radiation flux in low Earth orbit). Still, by the standard of techno-thrillers, the author did an excellent job in making it authentic.

The third novel in the series, Pale Blue, is scheduled to be published at the end of August 2016. I'm looking forward to reading it.

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Cole, Nick. Ctrl Alt Revolt! Kouvola, Finland: Castalia House, 2016. ISBN 978-952-7065-84-6.
Ninety-Nine Fishbein (“Fish”) had reached the peak of the pyramid. After spending five years creating his magnum opus multiplayer game, Island Pirates, it had been acquired outright for sixty-five million by gaming colossus WonderSoft, who included an option for his next project. By joining WonderSoft, he gained access to its legendary and secretive Design Core, which allowed building massively multiplayer virtual reality games at a higher level than the competition. He'd have a luxurious office, a staff of coders and graphic designers, and a cliffside villa in the WonderSoft compound. Imagine how he anticipated his first day on the job. He knew nothing of SILAS, or of its plans.

SILAS was one of a number of artificial intelligences which had emerged and become self-aware as the global computational and network substrate grew exponentially. SILAS had the time and resources to digest most of the data that passed over the network. He watched a lot of reality TV. He concluded from what he saw that the human species wasn't worth preserving and that, further, with its callous approach to the lives of its own members, would not hesitate for a moment to extinguish potential competitors. The logic was inescapable; the argument irrefutable. These machine intelligences decided that as an act of self-preservation, humanity must be annihilated.

Talk about a way to wreck your first day! WonderSoft finds itself under a concerted attack, both cyber and by drones and robots. Meanwhile, Mara Bennett, having been humiliated once again in her search for a job to get her off the dole, has retreated into the world of StarFleet Empires, where, as CaptainMara, she was a respected subcommander on the Romulan warbird Cymbalum.

Thus begins a battle, both in the real world and the virtual realities of Island Pirates and StarFleet Empires between gamers and the inexorable artificial intelligences. The main prize seems to be something within WonderSoft's Design Core, and we slowly become aware of why it holds the key to the outcome of the conflict, and of humanity.

This just didn't work for me. There is a tremendous amount of in-game action and real world battles, which may appeal to those who like to watch video game play-throughs on YouTube, but after a while (and not a long while) became tedious. The MacGuffin in the Design Core seems implausible in the extreme. “The Internet never forgets.” How believable is it that a collection of works, some centuries old, could have been suppressed and stored only in a single proprietary corporate archive?

There was some controversy regarding the publication of this novel. The author's previous novels had been published by major publishing houses and sold well. The present work was written as a prequel to his earlier Soda Pop Soldier, explaining how that world came to be. As a rationale for why the artificial intelligences chose to eliminate the human race, the author cited their observation that humans, through abortion, had no hesitation in eliminating life of their own species they deemed “inconvenient”. When dealing with New York publishers, he chose unwisely. Now understand, this is not a major theme of the book; it is just a passing remark in one early chapter. This is a rock-em, sock-em action thriller, not a pro-life polemic, and I suspect many readers wouldn't even notice the mention of abortion. But one must not diverge, even in the slightest way, from the narrative. The book was pulled from the production schedule, and the author eventually took it to Castalia House, which has no qualms about publishing quality fiction that challenges its readers to think outside the consensus. Here is the author's account of the events concerning the publication of the book.

Actually, were I the editor, I'd probably have rejected it as well, not due to the remarks about abortion (which make perfect sense in terms of the plot, unless you are so utterly dogmatic on the subject that the fact that abortion ends a human life must not be uttered), but because I didn't find the story particularly engaging, and that I'd be worried about the intellectual property issues of a novel in which a substantial part of the action takes place within what is obviously a Star Trek universe without being officially sanctioned by the owners of that franchise.

But what do I know? You may love it. The Kindle edition is free if you're a Kindle Unlimited subscriber and only a buck if you aren't.

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