Stross, Charles. Iron Sunrise. New York: Ace, 2005. ISBN 978-0-441-01296-1.
In Accelerando (July 2011), a novel assembled from nine previously-published short stories, the author chronicles the arrival of a technological singularity on Earth: the almost-instantaneously emerging super-intellect called the Eschaton which departed the planet toward the stars. Simultaneously, nine-tenths of Earth's population vanished overnight, and those left behind, after a period of chaos, found that with the end of scarcity brought about by “cornucopia machines” produced in the first phase of the singularity, they could dispense with anachronisms such as economic systems and government. After humans achieved faster than light travel, they began to discover that the Eschaton had relocated 90% of Earth's population to habitable worlds around various stars and left them to develop in their own independent directions, guided only by this message from the Eschaton, inscribed on a monument on each world.

  1. I am the Eschaton. I am not your god.
  2. I am descended from you, and I exist in your future.
  3. Thou shalt not violate causality within my historic light cone. Or else.

The wormholes used by the Eschaton to relocate Earth's population in the great Diaspora, a technology which humans had yet to understand, not only permitted instantaneous travel across interstellar distances but also in time: the more distant the planet from Earth, the longer the settlers deposited there have had to develop their own cultures and civilisations before being contacted by faster than light ships. With cornucopia machines to meet their material needs and allow them to bootstrap their technology, those that descended into barbarism or incessant warfare did so mostly due to bad ideas rather than their environment.

Rachel Mansour, secret agent for the Earth-based United Nations, operating under the cover of an entertainment officer (or, if you like, cultural attaché), who we met in the previous novel in the series, Singularity Sky (February 2011), and her companion Martin Springfield, who has a back-channel to the Eschaton, serve as arms control inspectors—their primary mission to insure that nothing anybody on Earth or the worlds who have purchased technology from Earth invites the wrath of the Eschaton—remember that “Or else.”

A terrible fate has befallen the planet Moscow, a diaspora “McWorld” accomplished in technological development and trade, when its star, a G-type main sequence star like the Sun, explodes in a blast releasing a hundredth the energy of a supernova, destroying all life on planet Moscow within an instant of the wavefront reaching it, and the entire planet within an hour.

The problem is, type G stars just don't explode on their own. Somebody did this, quite likely using technologies which risk Big E's “or else” on whoever was responsible (or it concluded was responsible). What's more, Moscow maintained a slower-than-light deterrent fleet with relativistic planet-buster weapons to avenge any attack on their home planet. This fleet, essentially undetectable en route, has launched against New Dresden, a planet with which Moscow had a nonviolent trade dispute. The deterrent fleet can be recalled only by coded messages from two Moscow system ambassadors who survived the attack at their postings in other systems, but can also be sent an irrevocable coercion code, which cancels the recall and causes any further messages to be ignored, by three ambassadors. And somebody seems to be killing off the remaining Moscow ambassadors: if the number falls below two, the attack will arrive at New Dresden in thirty-five years and wipe out the planet and as many of its eight hundred million inhabitants as have not been evacuated.

Victoria Strowger, who detests her name and goes by “Wednesday”, has had an invisible friend since childhood, “Herman”, who speaks to her through her implants. As she's grown up, she has come to understand that, in some way, Herman is connected to Big E and, in return for advice and assistance she values highly, occasionally asks her for favours. Wednesday and her family were evacuated from one of Moscow's space stations just before the deadly wavefront from the exploded star arrived, with Wednesday running a harrowing last “errand” for Herman before leaving. Later, in her new home in an asteroid in the Septagon system, she becomes the target of an attack seemingly linked to that mystery mission, and escapes only to find her family wiped out by the attackers. With Herman's help, she flees on an interstellar liner.

While Singularity Sky was a delightful romp describing a society which had deliberately relinquished technology in order to maintain a stratified class system with the subjugated masses frozen around the Victorian era, suddenly confronted with the merry pranksters of the Festival, who inject singularity-epoch technology into its stagnant culture, Iron Sunrise is a much more conventional mystery/adventure tale about gaining control of the ambassadorial keys, figuring out who are the good and bad guys, and trying to avert a delayed but inexorably approaching genocide.

This just didn't work for me. I never got engaged in the story, didn't find the characters particularly interesting, nor came across any interesting ways in which the singularity came into play (and this is supposed to be the author's “Singularity Series”). There are some intriguing concepts, for example the “causal channel”, in which quantum-entangled particles permit instantaneous communication across spacelike separations as long as the previously-prepared entangled particles have first been delivered to the communicating parties by slower than light travel. This is used in the plot to break faster than light communication where it would be inconvenient for the story line (much as all those circumstances in Star Trek where the transporter doesn't work for one reason or another when you're tempted to say “Why don't they just beam up?”). The apparent villains, the ReMastered, (think Space Nazis who believe in a Tipler-like cult of Omega Point out-Eschaton-ing the Eschaton, with icky brain-sucking technology) were just over the top.

Accelerando and Singularity Sky were thought-provoking and great fun. This one doesn't come up to that standard.

December 2018 Permalink