Rolfe, Fr. Hadrian the Seventh. New York: New York Review Books, [1904] 2001. ISBN 0-940322-62-5.
This is a masterpiece of eccentricity. The author, whose full name is Frederick William Serafino Austin Lewis Mary Rolfe, deliberately abbreviated his name to “Fr.” not just in the interest of concision, but so it might be mistaken for “Father” and the book deemed the work of a Catholic priest. (Rolfe also used the name “Baron Corvo” and affected a coat of arms with a raven.) Having twice himself failed in aspirations to the priesthood, in this novel the protagonist, transparently based upon the author, finds himself, through a sequence of events straining even the omnipotence of the Holy Spirit, vaulted from the humble estate of debt-ridden English hack writer directly to the papacy, taking the name Hadrian the Seventh in honour of Hadrian IV, the first, last, and only English pope to date.

Installed on the throne of Saint Peter, Hadrian quickly moves to remedy the discrepancies his erstwhile humble life has caused to him to perceive between the mission of the Church and the policies of its hierarchy. Dodging intrigue from all sides, and wielding his intellect, wit, and cunning along with papal authority, he quickly becomes what now would be called a “media pope” and a major influence on the world political stage, which he remakes along lines which, however alien and ironic they may seem today, might have been better than what actually happened a decade after this novel was published in 1904.

Rolfe, like Hadrian, is an “artificer in verbal expression”, and his neologisms and eccentric spelling (“saxificous head of the Medoysa”) and Greek and Latin phrases—rarely translated—sprinkle the text. Rolfe/Hadrian doesn't think too highly of the Irish, the French, Socialists, the press, and churchmen who believe their mission is building cathedrals and accumulating treasure rather than saving souls, and he skewers these and other targets on every occasion—if such barbs irritate you, you will find plenty here at which to take offence. The prose is simply beautiful, and thought provoking as well as funny. The international politics of a century ago figures in the story, and if you're not familiar with that now rather obscure era, you may wish to refresh your memory as to principal players and stakes in the Great Game of that epoch.

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